Meera Bhajan (Bhajans of MiraBai) | |||||
Meera is known for many beautiful bhajans that she sung in praise of lord Krishna. Few of the famous bhajan lyrics are as below: | |||||
Aisi Lagi Lagan, Meera Ho Gai Magan ...
Aisi lagi lagan, meera ho gayi magan Wo to gali-gali hari guna ganne lagi Mehlo mein pali, ban ke jogun chali Meera rani divani kahane lagi Aisi lagi lagan, meera ho gayi magan - 2 Koi roke nahi, koi toke nahi Meera govinda gopal-e ganne lagi Baithi santon ke sang, rangi mohan ke rang Meera premi pritam ko manane lagi Aisi lagi lagan, meera ho gayi magan Wo to gali-gali hari guna ganne lagi Mehlo mein pali, ban ke jogun chali Meera rani divani kahane lagi Aisi lagi lagan, meera ho gayi magan - 2 Rana ne vish diya, mano amrit piya Meera sagar mein sarita samane lagi Dukh-e lakhon sahe, mukse govind kahe Meera govinda gopal-e ganne lagi Aisi lagi lagan, meera ho gayi magan Wo to gali-gali hari guna ganne lagi Mehlo mein pali, ban ke jogun chali
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Tuesday, 2 June 2015
Meera bai- Bhajan
MiraBai (Meera Bai / Meerabai / Mirabai) Mirabai (Meerabai or Meera) - A devout follower of Lord Krishna
| MiraBai (1498 - 1547) was a Rajput princess who lived in the north Indian state of Rajasthan. She was a devout follower of Lord Krishna. MiraBai was one of the foremost exponents of the Prema Bhakti (Divine Love) and an inspired poetess. She sang in vraja-bhasha, sometimes mixed with rajasthani, in praise of Giridhara Gopala (Shri Krishna), her lord for whom she developed in her heart the most intense love and devotion. |
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When she was just four years of age, she manifested her deep devotion to Krishna. MiraBai watched a marriage procession in front of her residence. MiraBai, the child, spotted the well-dressed bridegroom and asked her mother innocently, "Dear mother, who will be my bridegroom?" MiraBai’s mother smiled, and half in jest and half in earnest, pointed towards the image of Sri Krishna and said, "My dear Mira, Lord Krishna - this beautiful fellow – is going to be your bridegroom". Soon after, MiraBai’s mother passed on. As MiraBai grew up, her desire to be with her Krishna grew intensely and she believed that Lord Krishna would come to marry her. In due course, she became firmly convinced that Krishna was to be her husband.
MiraBai was soft-spoken, mild-mannered, gifted, sweet, and sang with a melodious voice. She was reputed to be one of the most extraordinary beauties of her time with fame spreading to several kingdoms and provinces. Her fame spread far and wide. Rana Sangram Singh, commonly known as Rana Sangha, the powerful King of Mewar, approached Rao Duda for MiraBai’s hand in marriage to his son Bhojraj (also known as Rana Kumbha or KumbhaRana). Bhojraj wanted to marry MiraBai for her pious nature and divine intent. Rao Duda agreed to the union. However, MiraBai could not bear the thought of marrying a human being when her heart was filled with thoughts of every nature, all about her Krishna. But unable to go against her beloved grandfathers word, she finally consented to the marriage. MiraBai was wed to Rana Kumbha in 1513, before she turned 14. As ordained, MiraBai was dutiful. She left for (Chittorgarh) Mewar with the Rana Kumbha.
After her household duties were over, Meera would go to the temple of Lord Krishna, worship, sing and dance before Lord Krishna Idol daily. KumbhaRana’s mother and other ladies of the palace did not like the ways of MiraBai, as they were worldly-minded and jealous. MiraBai’s mother-in-law forced her to worship Durga and admonished her often. But MiraBai maintained, "I have already given up my life to my beloved Lord Krishna". MiraBai’s sister-in-law Udabai formed a conspiracy and began to defame the innocent Meera. She informed Rana Kumbha that Meera was in secret love with some one, that she witnessed Meera talking to her lover(s) in the temple, and that she would show him the persons if he would accompany her one night. The ladies further raved that MiraBai, by her conduct, had brought a great slur on the reputation of the Rana family of Chittor. The enraged Kumbha ran with sword in hand towards Meera, but as luck would have it Meera had gone to her Krishna temple. A sober relative of the Rana counseled him, "Rana! You will forever repent for your hasty behavior and consequences. Enquire into the allegation carefully and you will find the truth. Meera bai is a great devotee of the Lord. Remember why you sought her hand. Out of sheer jealousy the ladies might have concocted scandals against Meera Bai to incite you and ruin her". Kumbha calmed down and accompanied his sister who persistently took him to the temple at dead of night. Rana Kumbha broke open the door, rushed inside and found Meera alone in her ecstatic mood talking and singing to the idol.
The Rana shouted at Meera, "Meera, show me your lover with whom you are talking now". Meera replied, "There sits He—my Lord—the Nanichora who has stolen my heart". She went into a trance. The ladies floated other rumors that Meera was mixing very freely with Sadhus. Meera was unaffected by such scandals and continued to invite Bhagavathas to join her in Krishna bhajan at the temple. She stood unruffled in the face of accusations from the royal family. When questioned about her marital responsibilities, Meera responded that it was Krishna to whom she was married. KumbhaRana was heart-broken but remained a good husband and sympathizer of Meera until his death.
Rana’s relatives began persecuting Meera in various ways, even though Meera had no desire for the throne. Meera was sent a basket with a cobra inside and a message that the basket contained a garland of flowers. Meera, after meditation, opened the basket and found inside a lovely idol of Sri Krishna with a garland of flowers. The relentless Rana (her brother-in-law) sent her a cup of poison with the message that it was nectar. Meera offered it to her Lord Krishna and took it as His Prasad. It was real nectar to her. The bed of nails that the Rana sent transformed into a bed of roses when Meera reposed on it.
When the torture and scandals continued, Meera sent a letter to Goswami Tulsidas and asked for his advice. She wrote, "Simply because I am constantly tortured by my relatives, I cannot abandon my Krishna. I am unable to carry on with my devotional practices in the palace. I have made Giridhar Gopala my friend from my very childhood. I feel a total bondage with him. I cannot break that bond".
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The turning point in Meerabai’s life occurred when once Akbar and his court musician Tansen came in disguise to Chittor to hear Meera’s devotional and inspiring songs. Both entered the temple and listened to Meera’s soul - stirring songs to their heart’s content. Before he departed, he touched the holy feet of Meera and placed a necklace of priceless gems in front of the idol as a present. Somehow the news reached the KumbhaRana that Akbar had entered the sacred temple in disguise, touched the feet of Meerabai and even presented her a necklace. The Rana became furious. He told Meerabai, "Drown yourself in the river and never show your face to the world in future. You have brought great disgrace on my family".
Meerabai obeyed the words of King. She proceeded to the river to drown herself. The names of the Lord "Govinda, Giridhari, Gopala" were always on her lips. She sang and danced in ecstasy on her way to the river. When she raised her feet from the ground, a hand from behind grasped her and embraced her. She turned behind and saw her beloved Giridhari. She fainted on him. After a few minutes she opened her eyes. Lord Krishna smiled and gently whispered: "My dear Meera, your life with your mortal relatives is over now. You are absolutely free. Be cheerful. You are and have always been mine."
Meera walked barefoot on the hot sandy beds of Rajasthan. On her way, many ladies, children and devotees received her with great hospitality. She reached Brindavan (or Vrindaban). It was at Brindavan that she again met and was inspired by Sant Raidas. She went about Brindavan doing Oonchavritti and worshipped in the Govinda Mandir which has since become famous and is now a great place of pilgrimage for devotees from all over the world.
A repentant Kumbha came to Vrindavan to see Meera and prayed that he may be forgiven for all his previous wrongs and cruel deeds. He begged that Meera return to the kingdom and was assume her role as the queen once more. Meera said to Rana that Krishna is only one King and my life belongs to him. The KumbhaRana, for the first time, truly understood Meera’s exalted state of mind and prostrated before her in reverence. He then promptly left Vrindavan a changed soul.
Jiva Gosain was the head of the Vaishnavites in Brindavan. Meera wanted to have Darshan of Jiva Gosain. He declined to see her. He sent word to Meera that he would not allow any woman in his presence. Mirabai retorted: "Everybody in Brindavan is a woman. Only Giridhar Gopala is Purusha. Today only I have come to know that there is another Purusha besides Krishna in Brindavan". Jiva Gosain was put to shame. He at once went to see Meera and paid her due respects.
Meera’s fame spread far and wide. She was immersed in satsang day in and out. At the request of KumbhaRana, Meera returned to Mewar and Kumbha agreed to her request that she would reside in the temple of Krishna but would not restrict her movements and wanderings. From Mewar, she once again returned to Brindavan, and then went on to Dwaraka. The King went with her.
On Krishna’s Janmashtami at the temple of Krishna. There was much happiness all around in the abode of the Lord. The light of the lamps, the sound of the bhajans and the energy from the devotees’ ecstacy were filling the air. With Tamburi in one hand and cymbals or chipla in the other the great tapasvini was singing ecstatically with her Gopala smiling in front of her closed eyes. Meera stood up and danced with her song ‘Mere Janama Maran ke sathee’, and when the song ended, Kumbha gently approached her and requested her to come back. Meera said, ‘Ranaji, the body is yours and you are a great devotee, but my mind, emotions and the soul are all his. I do not know what use am I to you at this state of mind’. Kumbha was moved and he started singing with her in unison. Meera rose up abruptly, stumbled and fell at the flowers on the feet of Giridhari. ‘Oh, Giridhari, are you calling me, I am coming’. When Kumbha and the rest were watching in awe, there was a lightning which enveloped Meera and the sanctum doors closed on their own. When the doors opened again, Meera’s saree was enveloping Lord Krishna’s idol and her voice and the flute accompaniment were the only sounds that could be heard.
So many princesses and queens have come and gone. So many princesses, and queens have appeared on the stage of this world and vanished. How is it that the queen of Chittor alone is still remembered? Is this on account of her beauty? Is this on account of her poetic skill? No. It is on account of her renunciation, single-minded devotion to Lord Krishna and the self-realization. She conversed with Krishna. She ate with Krishna, her Beloved. She drank the Krishna-premarasa. She sang from the core of her heart about her unique spiritual experi
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Rani Padmini - A legendary beauty
| Rani Padmini - A legendary beauty | |||
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In the 12th and 13th centuries, the Sultanate of Delhi - the kingdom set up by the invaders was nevertheless growing in power. The Sultans made repeated attack on Mewad on one pretext or the other. Here we may recollect the story of Rani Padmani who was the pretext for Allah-ud-din Khilji's attack on Chittod. In those days Chittod was under the Rule of King Ratansen, a brave and noble warrior-king. Apart, from being a loving husband and a just ruler, Ratansen was also a patron of the arts. In his court were many talented People one of whom was a musician named Raghav Chetan. But unknown to anybody, Raghav Chetan was also a sorcerer. He used his evil talents to run down his rivals and unfortunately for him was caught red-handed in his dirty act of arousing evil spirits.
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Veer Rana pratap
https://youtu.be/xOH44Sx.
Rana pratap :- Mewad ke Raja Uday singh Ka putra ,jo ki shakti singh ka bhai y\tha., ne Haldi Ghati Yuddha main Mughal sena ko Lohe ke chane chawa diye the.ukt yuddha main 8000 Rajpoot v 40000 mughal mare gaye the.
Rana pratap :- Mewad ke Raja Uday singh Ka putra ,jo ki shakti singh ka bhai y\tha., ne Haldi Ghati Yuddha main Mughal sena ko Lohe ke chane chawa diye the.ukt yuddha main 8000 Rajpoot v 40000 mughal mare gaye the.
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Born: May 9, 1540 in Kumbhalgarh, Rajasthan
Father's Name: Maharana Udai Singh II Mother's Name: Rani Jeevant Kanwar Died: January 29, 1597 in Chavand
Maharana Pratap was born on May 9th 1540 in Kumbhalgarh, Rajasthan. His father was Maharana Udai Singh II and his mother was Rani Jeevant Kanwar. Maharana Udai Singh II ruled the kingdom of Mewar, with his capital at Chittor. Maharana Pratap was the eldest of twenty-five sons and hence given the title of Crown Prince. He was destined to be the 54th ruler of Mewar, in the line of the Sisodiya Rajputs.In 1567, when Crown Prince Pratap Singh was only 27, Chittor was surrounded by the Mughal forces of Emperor Akbar. Maharana Udai Singh II decided to leave Chittor and move his family to Gogunda, rather than capitulate to the Mughals. The young Pratap Singh wanted to stay back and fight the Mughals but the elders intervened and convinced him to leave Chittor, oblivious of the fact that this move from Chittor was going to create history for all times to come.
In Gogunda, Maharana Udai Singh II and his nobles set up a temporary government of the kindom of Mewar. In 1572, the Maharana passed away, leaving the way for Crown Prince Pratap Singh to become the Maharana. However, in his later years, the late Maharana Udai Singh II had fallen under the influence of his favorite queen, Rani Bhatiyani, and had willed that her son Jagmal should ascend to the throne. As the late Maharana's body was being taken to the cremation grounds, Pratap Singh, the Crown Prince decided to accompany the dead body of the Maharana. This was a departure from tradition as the Crown Prince did not accompany the body of the departed Maharana but instead prepared to ascend the throne, such that the line of succession remained unbroken. Pratap Singh, in deference to his father's wishes, decided to let his half-brother Jagmal become the next king. However, knowing this to be disastrous for Mewar, the late Maharana's nobles, especially the Chundawat Rajputs, forced Jagmal to leave the throne to Pratap Singh. Unlike Bharat, Jagmal did not willingly give up the throne. He swore revenge and left for Ajmer, to join the armies of Akbar, where he was offered a jagir - the town of Jahazpur - in return for his help. Meanwhile, Crown Prince Pratap Singh became Maha Rana Pratap Singh I, 54th ruler of Mewar in the line of the Sisodiya Rajputs.
The year was 1572. Pratap Singh had just become the Maharana of Mewar and he had not been back in Chittor since 1567. His old fort and his home beckoned to him. The pain of his father's death, and the fact that his father had not been able to see Chittor again, troubled the young Maharana deeply. But he was not the only one troubled at this time. Akbar had control of Chittor but not the kingdom of Mewar. So long as the people of Mewar swore by their Maharana, Akbar could not realize his ambition of being the Jahanpanah of Hindustan. He had sent several emissaries to Mewar to get Rana Pratap to agree to sign a treaty but the letter was only willing to sign a peace treaty whereby the sovereignty of Mewar would be intact. In the course of the year 1573, Akbar sent six diplomatic missions to Mewar to get Rana Pratap to agree to the former's suzerainty but Rana Pratap turned down each one of them. The last of these missions was headed by Raja Man Singh, the brother-in-law of Akbar himself. Maharana Pratap, angered that his fellow Rajput was aligned with someone who had forced the submission of all Rajputs, refused to sup with Raja Man Singh. The lines were completely drawn now - Akbar understood that Maharana Pratap would never submit and he would have to use his troops against Mewar.
With the failure of efforts to negotiate a peace treaty in 1573, Akbar blockaded Mewar from the rest of the world and alienated Mewar's traditional allies, some of whom were Maharana Pratap's own kith and kin. Akbar then tried to turn the people of the all-important Chittor district against their king so they would not help Pratap. He appointed Kunwar Sagar Singh, a younger brother of Pratap, to rule the conquered territory, However, Sagar, regretting his own treachery, soon returned from Chittor, and committed suicide with a dagger in the Mughal Court. Shakti Singh, Pratap's younger brother now with the Mughal army, is said to have fled the Mughal court temporarily and warned his brother of Akbar's actions.
In preparation for the inevitable war with the Mughals, Maharana Pratap altered his administration. He moved his capital to Kumbhalgarh, where he was born. He commanded his subjects to leave for the Aravali mountains and leave behind nothing for the approaching enemy - the war would be fought in a mountain terrain which the Mewar army was used to but not the Mughals. It is a testament to the young king's respect amongst his subjects that they obeyed him and left for the mountains. The Bhils of the Aravalis were completely behind him. The army of Mewar now raided Mughal trade caravans going from Delhi to Surat. A section of his army guarded the all important Haldighati Pass, the only way to get into Udaipur from the North. Maharana Pratap himself undertook several penances, not because his finances forced him to do so, but because he wished to remind himself, and all his subjects, why they were undertaking this pain - to win back their freedom, their right to exist as they wished. He foreswore that he would eat from leaf-plates, would sleep on the floor and would not shave. In his self-inflicted state of penury, the Maharana lived in mud-huts made from mud and bamboo.
In 1576, the famous battle of Haldighati was fought with 20,000 Rajputs against a Mughal army of 80,000 men commanded by Raja Man Singh. The battle was fierce though indecisive, to the Mughal army's astonishment. Maharana Pratap's army was not defeated but Maharana Pratap was surrounded by Mughal soldiers. It is said that at this point, his estranged brother, Shakti Singh, appeared and saved the Rana's life. Another casualty of this war was Maharana Pratap's famous, and loyal, horse Chetak, who gave up his life trying to save his Maharana.
After this war, Akbar tried several times to take over Mewar, failing each time. Maharana Pratap himself was keeping up his quest for taking Chittor back. However, the relentless attacks of the Mughal army had left his army weaker, and he barely had enough money to keep it going. It is said that at this time, one of his ministers, Bhama Shah, came and offered him all this wealth - a sum enabling Maharana Pratap to support an army of 25,000 for 12 years. It is said that before this generous gift from Bhama Shah, Maharana Pratap, anguished at the state of his subjects, was beginning to lose his spirit in fighting Akbar.n one incident that caused him extreme pain, his children's meal - bread made from grass - was stolen by a dog. It is said that this cut into Maharana Pratap's heart deeply. He began to have doubts about his resolute refusal to submit to the Mughals. Perhaps in one of these moments of self doubt - something each and every human being goes through - Maharana Pratap wrote to Akbar demanding "a mitigation of his hardship". Overjoyed at this indication of his valiant foe's submission, Akbar commanded public rejoicing, and showed the letter to a literate Rajput at his Court, Prince Prithiraj. He was the younger brother of Rai Singh, the ruler of Bikaner, a State established some eighty years earlier by the Rathores of Marwar. He had been compelled to serve Akbar because of his kingdom's submission to the Mughals. An award-winning poet, Prithiraj was also a gallant warrior and a longtime admirer of the brave Maharana Pratap Singh. He was astonished and grieved by Maharana Pratap's decision, and told Akbar the note was the forgery of some foe to defame the Mewar king. "I know him well," he explained, "and he would never submit to your terms." He requested and obtained Akbar's permission to send a letter to Pratap, ostensibly to ascertain the fact of his submission, but really with a view to prevent it. He composed the couplets that have become famous in the annals of patriotism:
The hopes of the Hindu rest on the Hindu; yet the Rana forsakes them. But for Pratap, all would be placed on the same level by Akbar; for our chiefs have lost their valour and our females their honour. Akbar is the broker in the market of our race: he has purchased all but the son of Udai (Singh II of Mewar); he is beyond his price. What true Rajput would part with honour for nine days (nauroza); yet how many have bartered it away? Will Chittor come to this market ...? Though Patta (an affectionate name for Pratap Singh) has squandered away wealth (on warfare), yet he has preserved this treasure. Despair has driven man to this market, to witness their dishonour: from such infamy the descendant of Hamir (Hamir Singh) alone has been preserved. The world asks, from where does the concealed aid of Pratap emanate? None but the soul of manliness and his sword ... The broker in the market of men (Akbar) will one day be surpassed; he cannot live forever. Then will our race come to Pratap, for the seed of the Rajput to sow in our desolate lands. To him all look for its preservation, that its purity may again become resplendent.
The now-famous letter led to Pratap reversing his decision and not submitting to the Mughals, as was his initial but reluctant intention. After 1587, Akbar relinquished his obsessive pursuit of Maharana Pratap and took his battles into Punjab and India's Northwest Frontier. Thus for the last ten years of his life, Maharana Pratap ruled in relative peace and eventually freed most of Mewar, including Udaipur and Kumbhalgarh, but not Chittor. Bhagwat Singh Mewar: "Maharana Pratap Singh (was) called the light and life of the Hindu community. There were times when he and his family and children ate bread made of grass." Maharana Pratap became a patron of the Arts. During his reign Padmavat Charita and the poems of Dursa Ahada were written. Palaces at Ubheshwar, Kamal Nath and Chavand bear testimony to his love of architecture. These buildings, built in the dense hilly forest have walls adorned with military-style architecture. But Pratap's broken spirit overpowered him in the twilight of his years. His last moments were an appropriate commentary on his life, when he swore his successor, Crown Prince Amar Singh to eternal conflict against the foes of his country's independence. Maharana Pratap was never able to win back Chittor but he never gave up fighting to win it back.
In January 1597, Rana Pratap Singh I, Mewar's greatest hero, was seriously injured in a hunting accident. He left his body at Chavand, aged 56, on January 29, 1597. He died fighting for his nation, for his people, and most importantly for his honor. source from. http://www.chittorgarh.com/maharana-pratap.asp
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Friday, 29 May 2015
central Minister Narendra singh Tomar ka Morena tour
Morena.28.5.2015.kendriya Mantri shri narendra singh Tomar, jo ki Gwalior ke sansad bhi hai, ne morena jila ka dora 28.5.2015 kko kiya.kirranch-sangoli pul ka udghatan, Morena main sabha ka aayojan kiya. Morena main Nagar nih\gam ke chunav jald hone wale hai.
Wednesday, 27 May 2015
Ajātasatru
Ajātaśatru (ruled c. 492–c. 460 BCE) was a king of the Haryanka dynasty of Magadha in North India. He was the son of King Bimbisara (558–491 BCE). He was contemporary with Mahavira (540–468 BCE) and Gautama Buddha (563–483 BCE). He took over the kingdom of Magadha from his father, forcefully by imprisoning him. He fought a war against Vajji, ruled by theLichhavis, and conquered the republic of Vaisali. Ajātasattu followed policies of conquest and expansion. He defeated his neighbors including the king of Kosala; his brothers, when at odds with him, went to Kashi, which had been given to Bimbisara as dowry. This led to a war between Magadha and Kosala. Ajātasattu occupied Kashi and captured the smaller kingdoms. Magadha under Ajātasattu became the most powerful kingdom in North India.
Pasenadi (Sanskrit: Prasenajit)
Pasenadi (Sanskrit: Prasenajit) (c. 6th century BCE) was a Aikṣvāka dynasty (a dynasty founded by King Ikṣvāku) ruler of Kosala. He succeeded his father Sanjaya Mahākosala.[1] He was a prominent Upāsaka (lay follower) of Gautama Buddha, who built many Buddhist monasteries.
Life
Pasenadi studied in Taxila in his early life. His first queen was a Magadhan princess. His second queen was Vāsavakhattiyā, daughter of Mahānāma, a Śākya by a slave girl Nāgamundā.Though she was a slave girl not the original daughter of Mahanama. From this marriage, he had a son, Viḍūḍabha and a daughter Princess Vajira, whom he married to Ajatashatru. His third and chief queen was Mallika, daughter of the chief of garland-makers. Once, while he was away from his capital Shravasti, his minister Dīgha Chārāyana placed his son Viḍūḍabha on the throne. He went to Magadha to seek help from Ajatashatru in order to regain his throne. But before being able to meet him, Pasenadi died of exposure outside the gates of Rajagriha. The Puranas instead ofViḍūḍabha mention the name of Kṣudraka as his successor.-source wikipedia.org
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